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Headjoints

S-Cut
With its oval shape, this headjoint offers a wide dynamic range, a rich sound, and powerful projection.
Z-CutTM
With a more rectangular embouchure hole and minimal over/undercutting, the Z-Cut produces a quick response without sacrificing flexibility or control, producing a darker and more dramatic tone color.
V-Cut
This headjoint produces a powerful sound with an exceptionally quick response. Featuring a high front wall and steep angled lip plate, this cutting-edge design comes with heavy crowns and 14K riser.

Customizations

Engraving
Engravings are available on Models 1207 and above. We offer two standard designs to choose from, or customized designs are also available and quoted by special request.
Lip Plate & Riser
14K gold and 18K gold options for the lip plate and riser are available for order on models 1207 and above.
Plating
Platinum plating and 18K gold plating are offered by special request.

Key Options

In Line G
The in line G places both the G and the A key on a single rod next to each other. Many flutists prefer the hand position that the in line flute requires to play.
Offset G
A growing number of flutists prefer the comfort and hand position of the offset G flute. Having a separate rod for the G means one less key on the A-Bb rod, and therefore easier maintenance.
Split E Mechanism
Allows the right hand E key to close the lower G key to make the high E easier to play. Available with offset G models.
D# Roller
Makes moving the little finger of the right hand between the low B, C, and C# to the D# key much smoother.
C# Trill
This key allows many trills and tremolos to be played in addition to trilling from B or C to C#, making it a truly versatile addition. Available with offset G models.
C Footjoint
Many flute masters of the past and present often prefer the C footjoint for its brighter tone. It is described as freeing up the low register and offering less resistance throughout the flute.
B Footjoint
The B footjoint not only extends the range to a low B, it adds weight to the overall instrument, increasing resistance that results in an overall darker tone and improved pitch in the third octave.
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